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They each pass one arm behind the other, a symbol of closeness. Brooklyn Museum, Charles Edwin Wilbour Fund, 52.1" data-src="https:// A masterpiece of Middle Kingdom royal sculpture, this statue of the Twelfth Dynasty king Senwosret III encapsulates one basic theme of this installation: the interaction between permanence and change. Middle Kingdom, Dynasty 12, reign of Amunemhat II, circa 1876–1842 Small details sometimes provide crucial clues to understanding a sculpture.

The spoken languages of India belong to several different language families, the most notable being Indo-Aryan languages and the Dravidian languages.

The official language of the Republic of India is Standard Hindi, with English as the secondary official language.

Brooklyn Museum, Charles Edwin Wilbour Fund, 37.123E" width="220" height="220" data-src="https:// in. Brooklyn Museum, Charles Edwin Wilbour Fund, 07.447.505" data-src="https:// Based on images painted on jars of the same date, the female figure with upraised arms appears to be celebrating a ritual.

The dark patch on her head represents hair, also a human trait. Brooklyn Museum, Charles Edwin Wilbour Fund, 49.215" data-src="https:// This family statue depicts Nykara, whose title is Scribe of the Granary, seated between the two standing figures of his wife and son.

Her white skirt indicates a high-status individual. If Nykara were shown standing, his dimensions are such that he would tower over the other two figures.

Also, although the boy’s nakedness, sidelock of hair, and finger-to-mouth gesture indicate that he is very young, he is depicted as the same height as his mother. Brooklyn Museum, Charles Edwin Wilbour Fund, 67.68" data-src="https:// Occasionally an innovative artist enhanced a traditional sculptural form.The sculptor of this piece, however, depicted Senenmut presenting a complex object: a cobra resting in a pair of upraised arms, wearing cow horns with a sun-disk.Egyptologists interpret this image as a cryptogram of Hatshepsut’s throne name ().Block statues first appeared in the Twelfth Dynasty, nearly one thousand years after most statue types had been developed.Some Egyptologists suggest that the invention of such a distinctive sculptural form probably reflected the emergence of new religious ideas.This statue’s inlaid eyes, probably of metal and colored stones, were pried out in antiquity, resulting in extensive damage. Brooklyn Museum, Charles Edwin Wilbour Fund, 39.602" data-src="https:// Block statues show their subjects—almost always male—seated on the ground with their knees drawn to their chests; a cloak usually envelops the limbs and torso.

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